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Инструменты Режимы отображения	Детали Remove from selection Add to selection CollectionLee Kong Chian Collection Номер объектаNU13069-0 НазваниеInscription from the Bronze ‘Hu’ (Vessel) of Huanzi-Mengjiang in Seal Script 篆书齐洹子孟姜壶铭文 Создатель he studied calligraphy under the legendary Chinese artist and calligrapher Zhang Dai-chien (1899-1983). Throughout his life Indonesian Chinese calligrapher Ling Yunchao became deeply interested in calligraphy at a young age. In the 1940s, he honed his craft by copying the styles of different renowned calligraphers and became highly skilled in all the five main calligraphic scripts. When Ling Yunchao started practicing calligraphy, he learned big and small scripts first before venturing into the official scripts, followed by cursive, running and regular scripts. His effort culminated in the publication of the Three Thousand Years of Chinese Calligraphy, in which a collection of his own copies of past masters' styles was used to serve as a guide to the development of calligraphy throughout a three thousand-year period.19141990Ling Yunchao ОписаниеThis panel is the first of a set of Four Hanging Scrolls written by Ling Yunchao. It is based on the inscription found on the bronze vessel named after Huanzi Mengjiang, a member of the eminent family of the Marquis of Qi from the Spring and Autumn period (770 - 476 BCE). When Huanzi Mengjiang died, the Zhou emperor granted an elaborate funeral. A bronze vessel was specially cast to record this event. The inscription on bronze vessels during the Spring and Autumn period was engraved in big seal script. The characters gradually developed into highly regulated forms, befitting its function of recording significant events for posterity and accolades paid to prominent personalities. In this particular work, the calligrapher executed the strokes in the yuanbifa (round brush method). This method is also known as jiaofeng, which is done through the circular movement of the brush stroke while writing the script, concealing the tip's tapering end. It is an attempt to use a brush to simulate inscription on bronze vessels. The result - uniform, powerful and bold strokes appropriate for the expression of a solemn theme. Дата 1900 - 1999 Период созданияMid 20th Century НаименованиеCalligraphy МатериалInk on Paper, Ink, Paper Размерность Height: 92 cm Length: 47 cm Height: 209 cm

Номер объектаNU13069-0

НазваниеInscription from the Bronze ‘Hu’ (Vessel) of Huanzi-Mengjiang in Seal Script 篆书齐洹子孟姜壶铭文

Создатель he studied calligraphy under the legendary Chinese artist and calligrapher Zhang Dai-chien (1899-1983). Throughout his life Indonesian Chinese calligrapher Ling Yunchao became deeply interested in calligraphy at a young age. In the 1940s, he honed his craft by copying the styles of different renowned calligraphers and became highly skilled in all the five main calligraphic scripts. When Ling Yunchao started practicing calligraphy, he learned big and small scripts first before venturing into the official scripts, followed by cursive, running and regular scripts. His effort culminated in the publication of the Three Thousand Years of Chinese Calligraphy, in which a collection of his own copies of past masters' styles was used to serve as a guide to the development of calligraphy throughout a three thousand-year period.19141990Ling Yunchao

ОписаниеThis panel is the first of a set of Four Hanging Scrolls written by Ling Yunchao. It is based on the inscription found on the bronze vessel named after Huanzi Mengjiang, a member of the eminent family of the Marquis of Qi from the Spring and Autumn period (770 - 476 BCE). When Huanzi Mengjiang died, the Zhou emperor granted an elaborate funeral. A bronze vessel was specially cast to record this event. The inscription on bronze vessels during the Spring and Autumn period was engraved in big seal script. The characters gradually developed into highly regulated forms, befitting its function of recording significant events for posterity and accolades paid to prominent personalities. In this particular work, the calligrapher executed the strokes in the yuanbifa (round brush method). This method is also known as jiaofeng, which is done through the circular movement of the brush stroke while writing the script, concealing the tip's tapering end. It is an attempt to use a brush to simulate inscription on bronze vessels. The result - uniform, powerful and bold strokes appropriate for the expression of a solemn theme.

Дата 1900 - 1999

Период созданияMid 20th Century

НаименованиеCalligraphy

МатериалInk on Paper, Ink, Paper

Размерность

Height: 92 cm
Length: 47 cm
Height: 209 cm

Детали