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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	[nb-NO]Details[nb-NO] Remove from selection Toevoegen aan selectie CollectionSouth & Southeast Asian Collection [nb-NO]Object number[nb-NO]S2003-0008-001-0 [nb-NO]Title[nb-NO]Prosperity [nb-NO]Creator[nb-NO]Tan Teo Kwang (1941) [nb-NO]Description[nb-NO]“The virtuosity of executing the Chinese calligraphic form is retained in this work and given an invigorating treatment with the artist 's choice of acrylic, highlighting the artist's dual cultural sensibilities. Full of vigour, the dominant rotund form relates to the sparseness of the canvas about it through the idiom of abstraction dealing with space and form. Bold in composition, Prosperity advances conventional appreciation of both the traditional and the new.” (Crossroads: The Making of New Identities, Page 27). [nb-NO]Production place[nb-NO]Singapore [nb-NO]Date[nb-NO] 2002 [nb-NO]Object category[nb-NO]Painting [nb-NO]Material[nb-NO]Acrylic on raw canvas [nb-NO]Dimensions[nb-NO] H: 130 cm L: 99.5 cm

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CollectionSouth & Southeast Asian Collection

[nb-NO]Object number[nb-NO]S2003-0008-001-0

[nb-NO]Title[nb-NO]Prosperity

[nb-NO]Creator[nb-NO]Tan Teo Kwang (1941)

[nb-NO]Description[nb-NO]“The virtuosity of executing the Chinese calligraphic form is retained in this work and given an invigorating treatment with the artist 's choice of acrylic, highlighting the artist's dual cultural sensibilities. Full of vigour, the dominant rotund form relates to the sparseness of the canvas about it through the idiom of abstraction dealing with space and form. Bold in composition, Prosperity advances conventional appreciation of both the traditional and the new.” (Crossroads: The Making of New Identities, Page 27).

[nb-NO]Production place[nb-NO]Singapore

[nb-NO]Date[nb-NO] 2002

[nb-NO]Object category[nb-NO]Painting

[nb-NO]Material[nb-NO]Acrylic on raw canvas

[nb-NO]Dimensions[nb-NO]

H: 130 cm
L: 99.5 cm