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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	[nb-NO]Details[nb-NO] Remove from selection Toevoegen aan selectie CollectionNg Eng Teng Collection [nb-NO]Object number[nb-NO]N1997-0001-345-0 [nb-NO]Title[nb-NO]1 + 1 = 1 (I) [nb-NO]Creator[nb-NO]Ng Eng Teng [nb-NO]Description[nb-NO]“For the first two weeks of working on 1 + 1 = 1, I used aluminum. Following that, I did a piece in ceramic stoneware, and later in stainless steel, and brass. Since these later works were fabricated in a workshop, I requested for an edition of three pieces each. People find these geometric forms not so appealing. I suppose, time will tell. Usually new works take a few years for people to understand and accept.” (Bodies Transformd, Ng Eng Teng in the Nineties, Page 47). [nb-NO]Production place[nb-NO]Singapore [nb-NO]Date[nb-NO] 1990 [nb-NO]Object category[nb-NO]Sculpture [nb-NO]Material[nb-NO]Aluminium, Paint [nb-NO]Dimensions[nb-NO] H: 91 cm L: 91 cm W: 20 cm [nb-NO]Credit line[nb-NO]Gift of Ng Eng Teng

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[nb-NO]Object number[nb-NO]N1997-0001-345-0

[nb-NO]Title[nb-NO]1 + 1 = 1 (I)

[nb-NO]Creator[nb-NO]Ng Eng Teng

[nb-NO]Description[nb-NO]“For the first two weeks of working on 1 + 1 = 1, I used aluminum. Following that, I did a piece in ceramic stoneware, and later in stainless steel, and brass. Since these later works were fabricated in a workshop, I requested for an edition of three pieces each. People find these geometric forms not so appealing. I suppose, time will tell. Usually new works take a few years for people to understand and accept.” (Bodies Transformd, Ng Eng Teng in the Nineties, Page 47).

[nb-NO]Production place[nb-NO]Singapore

[nb-NO]Date[nb-NO] 1990

[nb-NO]Object category[nb-NO]Sculpture

[nb-NO]Material[nb-NO]Aluminium, Paint

[nb-NO]Dimensions[nb-NO]

H: 91 cm
L: 91 cm
W: 20 cm

[nb-NO]Credit line[nb-NO]Gift of Ng Eng Teng