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[nb-NO]Record tools[nb-NO] [nb-NO]Displays[nb-NO]	[nb-NO]Details[nb-NO] Remove from selection Toevoegen aan selectie CollectionNg Eng Teng Collection [nb-NO]Object number[nb-NO]N1997-0001-265-0 [nb-NO]Title[nb-NO]Wild Rover (Imaginary self portrait: Back to Nature Idea) [nb-NO]Creator[nb-NO]Ng Eng Teng [nb-NO]Description[nb-NO]“Wild Rover (Imaginary Portrait: Back to Nature Idea) c. 1970, is the last known engagement with the self. The image of the self as a corporeally and psychologically distinctive entity has disappeared; it is replaced by generalised, curved shapes which rise upwards in the formation of a mountain landscape. The self as an autonomous being is erased; it is presented as transformed, absorbed into assuming an unnamed changing formation.” (Bodies & Figures, An Overview of Ng Eng Teng, Page 10). [nb-NO]Object category[nb-NO]Painting [nb-NO]Material[nb-NO]Mixed Media on Cloth, Paint, Fabric [nb-NO]Dimensions[nb-NO] H: 91 cm L: 68.5 cm H: 115 cm L: 92 cm [nb-NO]Credit line[nb-NO]Gift of Ng Eng Teng

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[nb-NO]Object number[nb-NO]N1997-0001-265-0

[nb-NO]Title[nb-NO]Wild Rover (Imaginary self portrait: Back to Nature Idea)

[nb-NO]Creator[nb-NO]Ng Eng Teng

[nb-NO]Description[nb-NO]“Wild Rover (Imaginary Portrait: Back to Nature Idea) c. 1970, is the last known engagement with the self. The image of the self as a corporeally and psychologically distinctive entity has disappeared; it is replaced by generalised, curved shapes which rise upwards in the formation of a mountain landscape. The self as an autonomous being is erased; it is presented as transformed, absorbed into assuming an unnamed changing formation.” (Bodies & Figures, An Overview of Ng Eng Teng, Page 10).

[nb-NO]Object category[nb-NO]Painting

[nb-NO]Material[nb-NO]Mixed Media on Cloth, Paint, Fabric

[nb-NO]Dimensions[nb-NO]

H: 91 cm
L: 68.5 cm
H: 115 cm
L: 92 cm

[nb-NO]Credit line[nb-NO]Gift of Ng Eng Teng