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[es-ES]Record tools[es-ES] [es-ES]Displays[es-ES]	[es-ES]Details[es-ES] Remove from selection Add to selection CollectionSouth & Southeast Asian Collection Número del objetoS1999-0007-001-0 TítuloOTOSOS #5 (On The Other Sides Of Silence) CreadorTeo Eng Seng (1938) Descripción“Ever ready to make a statement, OTOSOS #5, which stands for On the Other Side of Silence Number 5, Eng Seng presents a work that breaks down the boundaries between two-dimensional and three-dimensional art. Maintaining the integrity of the flatness of paintings, so cherished by artists such as Jackson Pollock, is clearly not Eng Seng's concern. Instead, Eng Seng, who publicly announced his abandonment of painting, challenges the domination of painting over the visual arts with his OTOSOS series with its textured surfaces and deep depressions. Eng Seng's adoption of Chinese symbols is evident in OTOSOS #5 . The imprint made by a Chinese clog further accentuates popular Chinese idioms in his artworks, invoking traditional beliefs and values.” (Crossroads: The Making of New Identities, Page 27). Lugar de producciónSingapore Fecha 1987 Nombre del objetoSculpture MaterialPaperdyesculp Dimensiones H: 67.5 cm L: 73 cm W: 21 cm

CollectionSouth & Southeast Asian Collection

Número del objetoS1999-0007-001-0

TítuloOTOSOS #5 (On The Other Sides Of Silence)

CreadorTeo Eng Seng (1938)

Descripción“Ever ready to make a statement, OTOSOS #5, which stands for On the Other Side of Silence Number 5, Eng Seng presents a work that breaks down the boundaries between two-dimensional and three-dimensional art. Maintaining the integrity of the flatness of paintings, so cherished by artists such as Jackson Pollock, is clearly not Eng Seng's concern. Instead, Eng Seng, who publicly announced his abandonment of painting, challenges the domination of painting over the visual arts with his OTOSOS series with its textured surfaces and deep depressions. Eng Seng's adoption of Chinese symbols is evident in OTOSOS #5 . The imprint made by a Chinese clog further accentuates popular Chinese idioms in his artworks, invoking traditional beliefs and values.” (Crossroads: The Making of New Identities, Page 27).

Lugar de producciónSingapore

Fecha 1987

Nombre del objetoSculpture

MaterialPaperdyesculp

Dimensiones

H: 67.5 cm
L: 73 cm
W: 21 cm