ObjektnummerS1955-0136-001-0
TitelStudies of Balinese Woman
OphavLiu Kang
Birth:1911-04-01 Fujian, China
Death:2004-06-01 Singapore
Bibliography:One of the seminal figures of modern Singapore art, Liu Kang, along with his contemporaries Chen Wen His, Cheong Soo Pieng, Georgette Chen and Chen Chong Swee, are regarded as pioneer artists whose practices shaped the pictorial language of the Nanyang School. Born in Fujian, China, Liu Kang's formative years were spent in Malaya. He returned to China to train at the Xinhua Arts Academy in Shanghai before departing for Paris in 1928 to immerse himself in the Parisian art scene where he was much influenced by Post-Impressionism. He taught at Xinhua Arts Academy for a few years before returning to Malaya in 1937, and eventually settled in Singapore after World War II, In Singapore, Liu Kang's artistic activities extended beyond art making to teaching and writing, where he demonstrated to be a keen observer and articulate commentator on art, culture and society.
Liu worked largely in oil and pastel. In 1950s, Liu Kang pushed the earlier stylistic values of Post-Impressionism to advance naive and decorative qualities and gave precedence to bright hues, flat surfaces and bold outlines in his treatment of local themes. These qualities mark an individualistic style that is Liu's alone among his contemporaries. As with the rest of the Nanyang artists, Liu Kang was interested in local subject matters. This extended to the traditional customs and arts of the migrant Indian community in Singapore's multi-racial society.
BeskrivelseCasual studies of head dresses in charcoal and pastel to be used for more ambitious work. The accurate line work supports the artist's conviction that sound draughtsmanship is a prerequisite for any art piece in whatever style. Liu Kang made constant references to his sketches when painting in his studio.
ProduktionsstedSingapore
MålHeight: 34.3 cm
Length: 54 cm