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ادوات السجل العروض	تفاصيل إزالة من الاختيار ضف للاختيار CollectionSouth & Southeast Asian Collection رقم الكائنS1959-0052-001-0 العنوانKashmiri Shawl الوصفThe shawl is hand-woven in three pieces with the twill-tapestry borders sewn to the plain twill centre. The borders feature a row of six buta or guldasta (vase of flowers) resembling a flowering bush. The subtlety of the colours is the result of using natural dyes such as cochineal for the crimson, indigo for blues and purples, carthamus and saffron for orange and yellow, and iron fillings for black.Particularly significant is the 18th century shawl or kanikar from Kashmir. Its twill tapestry of the traditional design of guldasta or vase of flowers along the borders and the fine woven pashrnina dyed in red reveals the technical virtuosity in patterning and dyeing that has made Indian textiles so much sought after since the 2nd century. Historians have noted that in the early 18th century, the simple floral motif on Kashmiri shawls came to be treated more formally, and the number of flowers stemming from a single plant increased. At about the same time it ceased to be depicted as a flower with roots and merged with another well known Indo-Persian decorative motif - the conventional vase of flowers. Many of the 18th century forms betray their dual origin by retaining both the vase and the appearance of root growth. (Source: Camping and Tramping, An Anecdotal Guide to Objects, Accumulations – Object, Order, Wonder, Part (c), No 95). مكان الإنتاجIndia, Kashmir التاريخ 1959 فترة الإنتاج18th C صنف القطعةTextile مادةPashmina (goat’s wool), silk تقنيةTwill tapestry - C الأبعاد L: 452 cm W: 70 cm Credit lineDonated by the Indian Government

CollectionSouth & Southeast Asian Collection

رقم الكائنS1959-0052-001-0

العنوانKashmiri Shawl

الوصفThe shawl is hand-woven in three pieces with the twill-tapestry borders sewn to the plain twill centre. The borders feature a row of six buta or guldasta (vase of flowers) resembling a flowering bush. The subtlety of the colours is the result of using natural dyes such as cochineal for the crimson, indigo for blues and purples, carthamus and saffron for orange and yellow, and iron fillings for black.Particularly significant is the 18th century shawl or kanikar from Kashmir. Its twill tapestry of the traditional design of guldasta or vase of flowers along the borders and the fine woven pashrnina dyed in red reveals the technical virtuosity in patterning and dyeing that has made Indian textiles so much sought after since the 2nd century. Historians have noted that in the early 18th century, the simple floral motif on Kashmiri shawls came to be treated more formally, and the number of flowers stemming from a single plant increased. At about the same time it ceased to be depicted as a flower with roots and merged with another well known Indo-Persian decorative motif - the conventional vase of flowers. Many of the 18th century forms betray their dual origin by retaining both the vase and the appearance of root growth. (Source: Camping and Tramping, An Anecdotal Guide to Objects, Accumulations – Object, Order, Wonder, Part (c), No 95).

مكان الإنتاجIndia, Kashmir

التاريخ 1959

فترة الإنتاج18th C

صنف القطعةTextile

مادةPashmina (goat’s wool), silk

تقنيةTwill tapestry - C

الأبعاد

L: 452 cm
W: 70 cm

Credit lineDonated by the Indian Government

تفاصيل